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Rare Book School, June 16 - 20, 2008

From June 16th to the 20th, Ray and Jill attended the Rare Book School at the University of Virginia. Our class was "Typography, Lettering and Calligraphy: 1830 - 2000" with James Mosley (shown above). The photo was taken on the last day when we were talking about digital type so Ray wore his 'Cream' reunion shirt from a recent concert at Madison Square Garden which seemed appropriate for the occasion.

During one of our afternoon sessions we visited the Rare Book
Room of the University of Virginia to look at some wonderful selections
made by Mr. Mosley. Highlights included Ornamented Types (shown
in the photo), printed by Ian Mortimer of London, UK, which holds a very
important place in our interest in letterpress printing, along with William
Morris's Chaucer and The Doves Bible. A nice bit of information was that
we at Lead Graffiti own either the book or a leaf from the book of three
- Gothic Architecture by William Morris (the book), The Doves Bible (the
four-page sheet which includes Genesis 1:1, and Ian Mortimer's Ornamented
Types (a specimen page) - of the approximately 25 pieces we viewed.

Here Ray enjoys a conversation with type designer Sumner Stone after his
lecture at the week-long session. Stone sat in on our class for a day describing
his tenure as type director at Adobe during its early days from 1985-89
along with various type projects. We also had the opportunity to join him
and RBS Program Director, Ryan Roth for dinner one evening over himalayan
food and a lot of talk about typographic mathematics which was great, though
often deep, fun.
Bio for James Mosley from the Rare Book School: James Mosley is Visiting
Professor in the Department of Typography & Graphic Communication at the
University of Reading. He retired as Librarian of the St. Bride Printing
Library in London in 1999. The founding editor of the Journal of the Printing
Historical Society, he has written and lectured extensively on the history
of European and English typography. In 2003 he received the annual award
of the American Printing History Association for his contributions to printing
history. His urbane and erudite blog, Typefoundry:
Documents for the History of Type and Letterforms, is required reading
for students of the history of typography.