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Lead Graffiti

120 A Sandy Drive, Sandy Brae Industrial Park
Newark DE 19711
Phone Number
a letterpress lab of sorts

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Lead Graffiti

  • about
    • intro
    • bios
    • 12 DNA projects
    • callouts
    • our lab
    • contact
  • calendar
  • store
    • subscriptions
    • workshops
    • fine press books
    • broadsides & posters
    • cards
    • Cinderella stamps
    • Blank books by Lead Graffiti
    • Blank books by Anne Hessel
    • Tour de Lead Graffiti 2011-15
    • letterpress things for sale
    • New Products
  • workshops
    • STUDIO SUBSCRIPTIONS
    • TECHNICAL LETTERPRESS
    • . . basic type composition
    • . . vandercook
    • . . iron hand press
    • . . floor-model platens
    • . . week-long letterpress
    • CREATIVE LETTERPRESS explained
    • . . meander book online
    • . . werkman druksels
    • . . quotable broadside
    • . . holiday card
    • press rental
    • BOOKMAKING explained
    • . . bookmaking basics
    • . . 6-pocket accordion
    • . . one day one book
    • . . coptic stitch
    • . . clamshell
    • . . paste paper
    • . . bookmaking bonanza
  • blog
  • search

Our first letterpress piece

February 17, 2003 Ray Nichols
bukvaraz-postcard.jpg

RAVEN PRESS at the University of Delaware was named because of the logo of the just-off-campus bar and landmark in Newark, Delaware. Local legend has it that Edgar Allan Poe had downed a few drinks there. We don't believe the drinking story, but we like telling it. Just for the record, there is another Raven Press so to avoid confusion, we always called it "Raven Press at the University of Delaware."

World typography needs a postcard

The Visual Communications Group at the University of Delaware hosted an exhibition during February 2003 entitled “bukva:raz!,” an international competition resulting in an exhibition of the 100 best international typeface designs completed or released over the previous five years. Sponsored by the Association Typographique Internationale (ATypI), bukva:raz! was a special contribution to the United Nations Year of Dialogue among Civilizations (2001).

The exhibition had been at the United Nations in New York City. Ray called to see if there was any chance we could borrow it to show at Delaware. They said, if we would come and get it, we could just have the exhibition.

Our first letterpress project was going to be a 6" x 4" postcard promoting the exhibition.

The name of the competition—bukva:raz!—translates as “letter:one!” Bukva is Russian for “letter” (as in letterform) and raz for “one” (as in two thousand one). As the card states, "Bukva:raz! celebrates cultural pluralism and encourages diversity, interaction, and cooperation in typographic communications."

Typeface designs from the countries of Canada, Czech Republic, France, Germany, India, Israel, Mexico, Russia, Spain, Sweden, Switzerland, The Netherlands, Ukraine, United Kingdom, and the United States were represented in the exhibition.

Getting the exhibition is a story unto itself. If you have the chance to have lunch with us and you say you want to hear the United Nations Bukva:raz! story, we'll give you your choice of Lead Graffiti posters. We love telling the story of running and sliding in the atrium of the U.N., purple hair, and "No you cannot bring scissors and knives in here." 

We bought our first plates for the 2-color job from Boxcar Press in Syracuse, NY. We had borrowed a brand-new Boxcar base from our only knowledgeable letterpress friend, Mike Kaylor, who handed it over with the explicit directions, "Do not get ink on the plate." We had cleaned our 100-year-old Chandler & Price 10 x 15 press about as much as reasonable people with a new, but dirty, toy would. 

Raven Press at the University of Delaware was at the starting line.

We set up to print the red run first.

We cut the press on.

Immediately the rollers laid down a solid layer of red, printing to the bottom of the plate and beyond.

"Oh, my God."

We cleaned it up as best we could, but there was clearly a pink stain across the whole 9: x 12" base except for the 1" x 4" plate for the red type you can see below. Later we would figure out that the ink rollers were too low, but we were newbies who never suspected such a thing was even possible.

To keep the base from being re-inked we put Scotch tape across the whole surface, but the slight change in depth of 2 layers of tape where they overlapped versus 1 was enough to print. We could not figure out how to keep that from happening.

bukvaraz-postcard.jpg

So we just let it ink and printed 500 cards. Put a ruler on that red type and you can see it isn't straight, but we were trying to solve the problems one at a time. That red line under "raz" helped balance things out visually, though in no way a deliberate act.

Strangely, a lot of people said they loved the antique effect as if it was a design decision, and wanted to know how we achieved it. We accepted all praise, knowing the full truth of the matter.

The press which came with a motor that ran at one speed ended up being another problem for us. It was just a bit too fast. We would print 3 postcards and drop one through the press because we just couldn't get it to hit the registration pins correctly very many times in a row. I was feeding the paper and Jill was pulling it out. We looked like clowns.

But this was really a fun day at the circus and Raven Press at the University of Delaware was off and running.

Just to complete the story this is a photo of our students attending the opening of the Bukva:raz! exhibition.

bukva-raz-exhibition.jpg

And a photo of Ray with some Cyrillic letterforms.

bukva-raz-exhibition-ray-with-sign.jpg
← Visiting Eric Gill’s Gravesite →

Our Lead Graffiti blog is a mass of varied information that is hard to understand. The search option in the top navigation works quite well if you can hit the right keyword (s). In this sidebar, we’ve highlighted some personally meaningful entries that might help if you want to try a couple of entries. To DEEP DIVE, click somewhere in the right column and then scroll down the left column. Also, if you know us, you can try searching for an appropriate word & the word “blog.”

2025

Resist
Liar, Liar.
Just do it!
Bernie Herman

2024

"Ink Pulls:" the hows and whys
Family holiday card workshop
“Liar, Liar.”+3 broadsides @ NAA exhibit
Waldorf diplomas / 2024
More on X-ing the Paragrab
”Concertina spine” book workshop
Lead Graffiti labyrinth
Jill, Ray, & Brodovitch @ the Barnes

2023

Forward for “X-ing a Paragrab”
UCBA member IMHO Meander Mook project
Black History is White History broadside
AIGA / Philadelphia Feedback broadside
Dunya Mikhail “Pronouns” broadside
etaoin shrdlu
Seven Fun Facts about the Linotype

2022

DCAD First-year talks
Cy Twombley. It’s just my opinion anyway.
”No more war. No more Putin.” broadside
Buying our Albion : that story
January 6th assault broadside

2021

Waldorf School of Philadelphia diplomas
Teleport broadside
ONLINE MEANDER BOOK letterpress workshop

2020

A design example of subtle racism
Looking back : Histories of Newark : 1758-2008
Retrospective exhibition at DCAD
Broadside : Black Lives Matter. A lot.

2019

A wonderful film about Ben Joosten
People Were Close (2004 book project)
WHYY-TV / Waldorf School of Philadelphia
What would a good student do?

2018
Alone in Berlin : postcard power
Doves’ type : metal & digital
“Blue Wave” broadside
John Bolton / Lead Graffiti connection
Alan Kitching’s VCUK workshops
U.S. Senators postcard mailing (coming)

2017
Four things you might want to know about Ray
Introducing Stephen Frykholm at AIGA

2016

Saul Bass. A no-show.
Burning Man & Lead Graffiti’s journal
Chris Fritton, The Itinerant Printer
Porter Garnets’s 10 commandments

2015
Best Intertype project #2 : round calendar
The Nash Equilibrium

2014
WHYY-TV’s Best of 2014
London Bombing’s 7th Anniversary

2013
Tour de Lead Graffiti. Sports Illustrated.
Grant Hart. Letterpress printer?
July 4th revolution coasters

2012
Thank You, Craig Cutler

2011
APHA National annual meeting program

2008
Designing Lead Graffiti’s logo
Art Directors Club of NY Grandmasters Award

2004
VCUK’s Alan Kitching letterpress workshops
VC family album pages

2003
Alan Fletcher : Raven Press logo origin
Bukva:raz! - Our first serious piece

2001
Visiting Eric Gill’s Gravesite