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Lead Graffiti

120 A Sandy Drive, Sandy Brae Industrial Park
Newark DE 19711
Phone Number
a letterpress lab of sorts

Your Custom Text Here

Lead Graffiti

  • about
    • recent fun
    • THE dna project
    • another 12 DNA projects
    • bios
    • callouts
    • our lab
    • contact
  • calendar
  • workshops
    • TECHNICAL LETTERPRESS
    • . . basic type composition
    • . . vandercook
    • . . iron hand press
    • . . floor-model platens
    • . . week-long letterpress
    • CREATIVE LETTERPRESS explained
    • . . haiku meander
    • . . werkman druksels
    • . . quotable broadside
    • . . holiday card
    • STUDIO SUBSCRIPTIONS
    • PRESS RENTAL
    • BOOKMAKING explained
    • . . bookmaking basics
    • . . 6-pocket accordion
    • . . one day one book
    • . . coptic stitch
    • . . clamshell
    • . . paste paper
    • . . bookmaking bonanza
    • . . meander book online
  • To buy
    • subscriptions
    • workshops
    • fine press books
    • broadsides & posters
    • Bernie Books
    • Letterpress puzzles
  • blog
  • search
  • cards

Freedom of the Press postal stamp

February 17, 2018 Ray Nichols
freedom-of-press-stamps-rotated-cropped.jpg

Details

On September 22, 1958 the United States Post Office saluted “the proud profession of journalism by dedicating a commemorative postage stamp to a basic American right—our American free press.” So spoke L. Rohe Walter, the special assistant to the postmaster general, at the stamp release ceremony that was held at the world’s first School of Journalism at the University of Missouri. Walter delivered a rousing lecture highlighting American history’s great guarantors of freedom of the press: Thomas Jefferson, the author of the Declaration of Independence, and also Benjamin Franklin, America’s first postmaster. Joseph Pulitzer was also quoted in the remarks: “Our Republic, and its press will rise or fall together.”

A commemorative binder with a sheet of these 4 cent “Freedom of the Press" stamps, along with a transcript of the dedication speech is held in the RIT Cary Graphic Design Archives as part of the Lester Beall Papers. Beall (1903-1969), was a New York-based modernist graphic designer who won the commission for the stamp design. Mr. Walter commended the design as follows: “Currently the Post Office Department carries close to three billion copies of newspapers a year in the furtherance of its traditional position as handmaiden to the nation’s free press. This new stamp is in the same tradition. Its distinctive design, emphasizing a hand holding an old-fashioned quill pen, a stylization of a hand printing press and horizontal and vertical bars suggesting type bearers, is the work of the noted artists and designers, Lester Beall and Charles Goslin.” (Goslin, [1932-2007], then at the brink of his career, went on to teach design at Pratt Institute.)

One hundred twenty million of these stamps were printed at the U.S. Bureau of Engraving and Printing in 1958. Their design is just as fresh and their message just as relevant, almost 60 years since their date of issue.

180213-freedom-of-the-press-keepsake.jpg

⬆ We prduced a keepsake to give away at our 10th anniversary celebration. We had our Albion iron hand press set up to print the enlarged stamp image. The piece also included an original stamp, along with a description. Participants were supposed to print the stamp image and then sign the keepsake.

NOTE : We will fill out information about this stamp as we find it. We love this stamp and have purchased about 15 sheets of it off eBay over the past year.

← Upper Chesapeake Book Arts GroupIDEAS FOR YOUTUBE VIDEOS →

Our Lead Graffiti blog is a wealth of varied information that can be difficult to understand. The search option in the top navigation works quite well if you can hit the right keyword (s). In this sidebar, we’ve highlighted some personally meaningful entries that might help if you want to try a couple of entries. To DEEP DIVE, click somewhere in the right column and then scroll down the left column. Also, if you know us, you can try searching for an appropriate word & the word “blog.”

2026

Day 1: TdLG 2011 through 2015
Tom Monahan’s Before & After
Lunch w iMark Dimunation
Star Wars flag book
Gearing up for “No Kings.”
Steps to make "Bernie Books"
Jigsaw puzzles of our letterpress
Unum’s 250th collaborative

2025

Half of writing history? Hiding the truth.
Werkman workshop at FBAC
UCBA collaborative book / “Trees”
Grollier Club thank you
”RESIST” protest banner
Delaware Eats Houston World Tour
Coptic stitched “Liar, Liar.” book
Political protest posters
”People Were Close” / AMCS
Just do it

2024

Ink pulls: the hows and whys
Holiday folding card workshop
Waldorf School of Philadelphia diplomas
New broadside series using ink, laser-cut acrylic type
Concertina spine
Alexey Brodovitch exhibition
NAA / socially engaged exhibit
Lead Graffiti solo exhibitit at NAA
Don’t know
APHA 2024 calendar pages
Lead Graffiti labyrinth
UCBA & Special Collections
X-ing the Paragrab

2023

Tour de France & Lead Graffiti
Tom Monahan creative thinking workshop
Lunch with Mark Dimunation
Star Wars trading card flag book
No kings or narcissistic nutcases
Bernie Book production
”UNUM” 250th portfolio
Letterpress jigsaw puzzles
UCBA collaborative book / “Trees”
”A Swarm of Bs” book & keepsake


Family holiday card workshop
“Liar, Liar.”+3 broadsides @ NAA exhibit
Waldorf diplomas / 2024
More on X-ing the Paragrab
”Concertina spine” book workshop
Lead Graffiti labyrinth
Jill, Ray, & Brodovitch @ the Barnes


2023

Forward for “X-ing a Paragrab”
UCBA member IMHO Meander Mook project
Black History is White History broadside
AIGA / Philadelphia Feedback broadside
Dunya Mikhail “Pronouns” broadside
etaoin shrdlu
Seven Fun Facts about the Linotype

2022

DCAD First-year talks
Cy Twombley. It’s just my opinion anyway.
”No more war. No more Putin.” broadside
Buying our Albion : that story
January 6th assault broadside

2021

Waldorf School of Philadelphia diplomas
Teleport broadside

2020

A design example of subtle racism
Looking back : Histories of Newark : 1758-2008
Retrospective exhibition at DCAD
Broadside : Black Lives Matter. A lot.
Posters for the “Peter Wood Sit-In”

2019

A wonderful film about Ben Joosten
People Were Close (2004 book project)
WHYY-TV / Waldorf School of Philadelphia
What would a good student do?

2018

Favorite Rejected Work
Winterthur Dining Design
Family trip back to West Texas
CBA / NYC auction keepsake
Alone in Berlin : postcard power
Doves’ type : metal & digital
“Blue Wave” broadside
Paal Renner letterspacing Future
John Bolton / Lead Graffiti connection
Alan Kitching’s VCUK workshops

2017
Four things you might want to know about Ray
Introducing Stephen Frykholm at AIGA

2016

Saul Bass. A no-show.
Burning Man & Lead Graffiti’s journal
Chris Fritton, The Itinerant Printer
Porter Garnets’s 10 commandments

2015
Best Intertype project #2 : round calendar
The Nash Equilibrium

2014
WHYY-TV’s Best of 2014
London Bombing’s 7th Anniversary

2013
Tour de Lead Graffiti. Sports Illustrated.
Grant Hart. Letterpress printer?
July 4th revolution coasters

2012
Thank You, Craig Cutler

2011
APHA National annual meeting program

2008
Designing Lead Graffiti’s logo
Art Directors Club of NY Grandmasters Award

2004
VCUK’s Alan Kitching letterpress workshops
VC family album pages

2003
Alan Fletcher : Raven Press logo origin
Bukva:raz! - Our first serious piece

2001
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/blog/2003/06/13/raven-press-logo-by-alan-fletcher
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/blog/2001/06/25/eric-gill-gravesite-visit