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Lead Graffiti

120 A Sandy Drive, Sandy Brae Industrial Park
Newark DE 19711
Phone Number
a letterpress lab of sorts

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Lead Graffiti

  • about
    • intro
    • bios
    • 12 DNA projects
    • callouts
    • our lab
    • contact
  • calendar
  • workshops
    • TECHNICAL LETTERPRESS
    • . . basic type composition
    • . . vandercook
    • . . iron hand press
    • . . floor-model platens
    • . . week-long letterpress
    • CREATIVE LETTERPRESS explained
    • . . haiku meander
    • . . werkman druksels
    • . . quotable broadside
    • . . holiday card
    • STUDIO SUBSCRIPTIONS
    • PRESS RENTAL
    • BOOKMAKING explained
    • . . bookmaking basics
    • . . 6-pocket accordion
    • . . one day one book
    • . . coptic stitch
    • . . clamshell
    • . . paste paper
    • . . bookmaking bonanza
    • . . meander book online
  • To buy
    • subscriptions
    • workshops
    • fine press books
    • broadsides & posters
    • Bernie Books
    • Letterpress puzzles
  • blog
  • search
  • cards

Proof of our Albion's origin

March 27, 2018 Ray Nichols
albion-press-list-from-frick-collection.jpg

A few weeks ago, we requested research information from the archives at The Frick Collection in New York City. We've been trying to find positive evidence that our Albion iron hand press was indeed one of a pair of Albion presses purchased in the late 1920s by Porter Garnett, director of Laboratory Press at the Carnegie Institute of Technology, to print The Frick Collection Catalogue. Laboratory Press was the first fine press educational program in the United States.

We purchased the press in May 2008 from the Museum of Printing, then in North Andover, Massachusetts (now in Haverhill). Here is a photo of us loading the press on our trailer.

printing-museum-albion-145-on-trailer.jpg

Over the past several years, we've put together a lot of circumstantial evidence that our press was one of the Carnegie Institute presses. Still, we have longed to see the actual serial number (8112) written down somewhere.

The answer came back today, which you can see in the photo at the top.

151115-photos-for-setting-up-albion-08-8112.jpg

The photo above shows the serial number before we cleaned off the paint to expose some very precious metal. Below is a beauty shot of our Harrild and Sons Super Royal (20.5" x 27.5") Albion iron hand press.

Albion-wo-stopping-strap.jpg

The photo below of two printers working on The Frick Collection Catalog started as circumstantial evidence. In Gabriel Rummonds' book, Printing on the Iron Handpress, the photo's caption listed the press as being in Pittsburgh. Another photo with the same caption showed 2 iron hand presses.

The image below, which shows legs that match our Albion, got Ray to thinking our press might somehow be connected, and voila, it is.

rummonds-albion-page-104.jpg
← Laboratory Press Specimen No. 39 : metal type composition, the old-fashioned wayThe actual March for Our Lives →

Our Lead Graffiti blog is a wealth of varied information that can be difficult to understand. The search option in the top navigation works quite well if you can hit the right keyword (s). In this sidebar, we’ve highlighted some personally meaningful entries that might help if you want to try a couple of entries. To DEEP DIVE, click somewhere in the right column and then scroll down the left column. Also, if you know us, you can try searching for an appropriate word & the word “blog.”

2026

Day 1: TdLG 2011 through 2015
Tom Monahan’s Before & After
Lunch w iMark Dimunation
Star Wars flag book
Gearing up for “No Kings.”
Steps to make "Bernie Books"
Jigsaw puzzles of our letterpress
Unum’s 250th collaborative

2025

Half of writing history? Hiding the truth.
Werkman workshop at FBAC
UCBA collaborative book / “Trees”
Grollier Club thank you
”RESIST” protest banner
Delaware Eats Houston World Tour
Coptic stitched “Liar, Liar.” book
Political protest posters
”People Were Close” / AMCS
Just do it

2024

Ink pulls: the hows and whys
Holiday folding card workshop
Waldorf School of Philadelphia diplomas
New broadside series using ink, laser-cut acrylic type
Concertina spine
Alexey Brodovitch exhibition
NAA / socially engaged exhibit
Lead Graffiti solo exhibitit at NAA
Don’t know
APHA 2024 calendar pages
Lead Graffiti labyrinth
UCBA & Special Collections
X-ing the Paragrab

2023

Tour de France & Lead Graffiti
Tom Monahan creative thinking workshop
Lunch with Mark Dimunation
Star Wars trading card flag book
No kings or narcissistic nutcases
Bernie Book production
”UNUM” 250th portfolio
Letterpress jigsaw puzzles
UCBA collaborative book / “Trees”
”A Swarm of Bs” book & keepsake


Family holiday card workshop
“Liar, Liar.”+3 broadsides @ NAA exhibit
Waldorf diplomas / 2024
More on X-ing the Paragrab
”Concertina spine” book workshop
Lead Graffiti labyrinth
Jill, Ray, & Brodovitch @ the Barnes


2023

Forward for “X-ing a Paragrab”
UCBA member IMHO Meander Mook project
Black History is White History broadside
AIGA / Philadelphia Feedback broadside
Dunya Mikhail “Pronouns” broadside
etaoin shrdlu
Seven Fun Facts about the Linotype

2022

DCAD First-year talks
Cy Twombley. It’s just my opinion anyway.
”No more war. No more Putin.” broadside
Buying our Albion : that story
January 6th assault broadside

2021

Waldorf School of Philadelphia diplomas
Teleport broadside

2020

A design example of subtle racism
Looking back : Histories of Newark : 1758-2008
Retrospective exhibition at DCAD
Broadside : Black Lives Matter. A lot.
Posters for the “Peter Wood Sit-In”

2019

A wonderful film about Ben Joosten
People Were Close (2004 book project)
WHYY-TV / Waldorf School of Philadelphia
What would a good student do?

2018

Favorite Rejected Work
Winterthur Dining Design
Family trip back to West Texas
CBA / NYC auction keepsake
Alone in Berlin : postcard power
Doves’ type : metal & digital
“Blue Wave” broadside
Paal Renner letterspacing Future
John Bolton / Lead Graffiti connection
Alan Kitching’s VCUK workshops

2017
Four things you might want to know about Ray
Introducing Stephen Frykholm at AIGA

2016

Saul Bass. A no-show.
Burning Man & Lead Graffiti’s journal
Chris Fritton, The Itinerant Printer
Porter Garnets’s 10 commandments

2015
Best Intertype project #2 : round calendar
The Nash Equilibrium

2014
WHYY-TV’s Best of 2014
London Bombing’s 7th Anniversary

2013
Tour de Lead Graffiti. Sports Illustrated.
Grant Hart. Letterpress printer?
July 4th revolution coasters

2012
Thank You, Craig Cutler

2011
APHA National annual meeting program

2008
Designing Lead Graffiti’s logo
Art Directors Club of NY Grandmasters Award

2004
VCUK’s Alan Kitching letterpress workshops
VC family album pages

2003
Alan Fletcher : Raven Press logo origin
Bukva:raz! - Our first serious piece

2001
/blog/2007/12/12/fonts-for-the-intertype
/blog/2004/3/1/vc-family-album-pages
/blog/2003/06/13/raven-press-logo-by-alan-fletcher
/blog/2003/02/01/our-first-letterpress-piece
/blog/2001/06/25/eric-gill-gravesite-visit