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Lead Graffiti

120 A Sandy Drive, Sandy Brae Industrial Park
Newark DE 19711
Phone Number
a letterpress lab of sorts

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Lead Graffiti

  • about
    • intro
    • bios
    • 12 DNA projects
    • callouts
    • our lab
    • contact
  • calendar
  • store
    • subscriptions
    • workshops
    • fine press books
    • broadsides & posters
    • cards
    • Cinderella stamps
    • Blank books by Lead Graffiti
    • Blank books by Anne Hessel
    • Tour de Lead Graffiti 2011-15
    • letterpress things for sale
    • New Products
  • workshops
    • STUDIO SUBSCRIPTIONS
    • TECHNICAL LETTERPRESS
    • . . basic type composition
    • . . vandercook
    • . . iron hand press
    • . . floor-model platens
    • . . week-long letterpress
    • CREATIVE LETTERPRESS explained
    • . . meander book online
    • . . werkman druksels
    • . . quotable broadside
    • . . holiday card
    • press rental
    • BOOKMAKING explained
    • . . bookmaking basics
    • . . 6-pocket accordion
    • . . one day one book
    • . . coptic stitch
    • . . clamshell
    • . . paste paper
    • . . bookmaking bonanza
  • blog
  • search

Everything the same, but different

March 20, 2018 Ray Nichols
Zoo-moments-no-1.jpg

We've always liked creating continuity, but with individuality, and often trying, rather desperately, to violate normal design protocols.

We hated working for a client who came armed with a logo and an accompanying design manual dictating specific color options for both the logo and rules applying to corresponding background, how close images could occur to the logo, etc.

This often showed up in presentations of logos where there was a set of rules, but where there was individuality.

One of those is with the Lead Graffiti logo and its use of color.

For years we never used the logo with the same color combinations. We produced upwards of 100 portfolio cards that we used to promote our work and to give away with reckless abandon. These seldom used the same colors and often used colors that were chosen from elements in the main images. You can see 3 of them below.

We liked (still do) violating rules that most design studios and clients lock in at the same level as the 10 commandments.

For instance, most design studio produce a standards manual that lays out the rules, one of which is never put the logo over an image. We almost always do, and take photographs of our work that often demands that we do. Sometimes the overlap is simple. Other times is really impacts the image, sometimes you might argue, somewhat negatively. We still like it.

zoo-met-opera-cards.jpg
zoo-pastepapers.jpg

Another project from back when I was teaching was the choice of a name to represent the Visual Communications program in the University of Delaware where I taught. In the earlier days it was a simpler program consisting of graphic and advertising design. We used the word "DEsigners." Anyone was free to use it anyway thay liked except there needed to be that DE in the word DEsigners. Any typeface, any weights, any colors. It just needed the word "DEsigners" and that sense that we were from Delaware.

With so much of the promotional material being delivered through online the use of various color combinations to help tell the story is quite easy and should be effective.

iron-hill-technology-logo.jpg

Hard not to consider Coca-Cola putting people's first names on drink cans.

Tags students, teachers, projects
← March for Our Lives / 03.24.18Dreaming Stephen Hawking →

Our Lead Graffiti blog is a mass of varied information that is hard to understand. The search option in the top navigation works quite well if you can hit the right keyword (s). In this sidebar, we’ve highlighted some personally meaningful entries that might help if you want to try a couple of entries. To DEEP DIVE, click somewhere in the right column and then scroll down the left column. Also, if you know us, you can try searching for an appropriate word & the word “blog.”

2025

Resist
Liar, Liar.
Just do it!
Bernie Herman

2024

"Ink Pulls:" the hows and whys
Family holiday card workshop
“Liar, Liar.”+3 broadsides @ NAA exhibit
Waldorf diplomas / 2024
More on X-ing the Paragrab
”Concertina spine” book workshop
Lead Graffiti labyrinth
Jill, Ray, & Brodovitch @ the Barnes

2023

Forward for “X-ing a Paragrab”
UCBA member IMHO Meander Mook project
Black History is White History broadside
AIGA / Philadelphia Feedback broadside
Dunya Mikhail “Pronouns” broadside
etaoin shrdlu
Seven Fun Facts about the Linotype

2022

DCAD First-year talks
Cy Twombley. It’s just my opinion anyway.
”No more war. No more Putin.” broadside
Buying our Albion : that story
January 6th assault broadside

2021

Waldorf School of Philadelphia diplomas
Teleport broadside
ONLINE MEANDER BOOK letterpress workshop

2020

A design example of subtle racism
Looking back : Histories of Newark : 1758-2008
Retrospective exhibition at DCAD
Broadside : Black Lives Matter. A lot.

2019

A wonderful film about Ben Joosten
People Were Close (2004 book project)
WHYY-TV / Waldorf School of Philadelphia
What would a good student do?

2018
Alone in Berlin : postcard power
Doves’ type : metal & digital
“Blue Wave” broadside
John Bolton / Lead Graffiti connection
Alan Kitching’s VCUK workshops
U.S. Senators postcard mailing (coming)

2017
Four things you might want to know about Ray
Introducing Stephen Frykholm at AIGA

2016

Saul Bass. A no-show.
Burning Man & Lead Graffiti’s journal
Chris Fritton, The Itinerant Printer
Porter Garnets’s 10 commandments

2015
Best Intertype project #2 : round calendar
The Nash Equilibrium

2014
WHYY-TV’s Best of 2014
London Bombing’s 7th Anniversary

2013
Tour de Lead Graffiti. Sports Illustrated.
Grant Hart. Letterpress printer?
July 4th revolution coasters

2012
Thank You, Craig Cutler

2011
APHA National annual meeting program

2008
Designing Lead Graffiti’s logo
Art Directors Club of NY Grandmasters Award

2004
VCUK’s Alan Kitching letterpress workshops
VC family album pages

2003
Alan Fletcher : Raven Press logo origin
Bukva:raz! - Our first serious piece

2001
Visiting Eric Gill’s Gravesite